![]() ![]() It has given us practically forensic tools to be able to manipulate audio and is a great addition to a sound designer's palette." I've become a big fan of SpectraLayers for the apparently magical powers of audio dissection it possesses. "Our main work these days is providing music and illuminating sound design for film scores like Hercules, Total Recall and the Fast & Furious franchise. Johan Althoff, lead sound designer, Starbreeze Studios No other application on the market can match its potential for true creativity!" "SpectraLayers Pro provides a unique toolset for visualizing and manipulating sounds the way we actually perceive them. Tim Nielsen, sound designer, Skywalker Sound (A Lucasfilm Company) "The ability to interact with audio on such a new and graphical interface opens up incredible potential for both restoration and sound design." I can deconstruct and reconstruct familiar as well as unidentifiable sounds into shadows or translucent projections with its unique tools and structure."ĭane A Davis, Danetracks president, Oscar winner for "The Matrix" "I love using SpectraLayers Pro to help create Sounds that appear to spring naturally from another dimension. Robin Lobel and MAGIX are excited about the successful cooperation and are pleased with the harmonious result: “This is the most polished release to date and improves on the foundations set by SpectraLayers Pro 3.“ This works thanks to a new algorithm, which automatically sets the areas you have selected! This function makes it possible to quickly navigate, select and specifically edit a certain frequency. Frequency and harmony selection tool optimization also delivers excellent results, for example with "lock to frequency". Precision joining and selective editing of various layers takes a huge load out of the mixing process and sound design. On the other hand, the new " layer grouping" is more than just a management tool. Data can be exchanged between projects quickly and easily. It is also now possible to work in the software on multiple projects in parallel. Now audio files can be transferred with just one click directly from the DAW to SpectraLayers Pro, where they can be edited and re-imported back in realtime. In this way, SpectraLayers Pro 4 makes possible seamless project exchange with Pro Tools® as a plug-in (AAX). The new version primarily focuses on optimizations of the Audio Engine, more efficient project and layer management and cooperation with other DAWs (especially Pro Tools®). The software uses realtime technologies to deliver deep audio spectrum editing. Three main principles make SpectraLayers Pro 4 one of the most innovative solutions found on the market: Real time spectral editing, direct control of spectral sample and a layer system for spectral compositing. This version came about under the guidance of Robin Lobel, who created the concept and has developed every SpectraLayers Pro version from the very beginning. Berlin, Decem– Following its official acquisition of Sony Creative Software for audio, MAGIX now releases a new version of SpectralLayers Pro for Windows and Mac. ![]()
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